In all, there’s an absolute wealth of tools to experiment with, and a ton of potential available, although - understandably at this stage - some types of module are better represented than others. The available modules themselves are broken up into 16 categories, ranging from simple virtual synth elements through to an extensive assortment of modulators, as well as logic and maths-based signal processors that take their inspiration from the hardware modular realm. Bearing in mind that all of the features mentioned above were additions during the life-cycle of Bitwig Studio 2, you’d be hard pressed to argue that Bitwig isn’t giving users money’s worth with those plans.
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Bitwig users buy into 12-month update plans, rather than simply purchase each update individually (when a subscription ends, users can no longer access updates, but get to keep all their software). Moreover, the pace of these updates has been pretty consistent and impressive. Other new features have helped to flesh out Bitwig’s toolkit over the last few years too, such as a beefed-up sampler and an excellent phase distortion synth. It really is a great system it impressed us immensely at the time it was unveiled and Bitwig remains head and shoulders above the rest of the market on that front. It’s a simple system to use but can be incredibly powerful, particularly since it also works with Bitwig’s MIDI and CV I/O devices, effectively allowing you to add an expansive array of additional modulation tools to your studio hardware. This allows any device, be it native or third party, to have an unlimited number of additional modulators attached, selected from an impressively diverse line-up of LFOs, envelope generators, randomisers, performance tools and more. The most significant of those additions has been the flexible modulation system introduced for Bitwig 2. In 2022 Bitwig GmbH was one of the main sponsors for a new audio plug-in interface, CLAP.The application has come a long way in that time though, throwing off the shackles of its inevitable Ableton Live comparisons - the two share a number of original developers and some significant workflow similarities - by adding multiple features that have bolstered Bitwig’s reputation as possibly the most creative DAW on the market. Since 2010, Placidus Schelbert has been the CEO after he left his position as an International Sales Manager at Ableton, in the same year.
History īitwig was founded and developed in Berlin by Claes Johanson, Pablo Sara, Nicholas Allen and Volker Schumacher in 2009. In 2017, Bitwig Studio was named DAW of the year by Computer Music magazine. The current stable version of Bitwig is "Bitwig Studio 4.4.x". Bitwig is notable for its strong modulation, and automation capabilities. It has multi-monitor and touch screen support. Bitwig supports both traditional linear music arrangement and non-linear (clip-based) production. It offers a suite of controls for beatmatching, crossfading, and other effects used by turntablists. Bitwig is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. Bitwig is available for Linux, macOS, and Windows. Bitwig Studio is a proprietary digital audio workstation developed by Bitwig GmbH.
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